Long Take of the Day: 02 / by Michael T Vollmann

Scene from Michelangelo Antonioni's The Passenger (1975) including preceding shot and penultimate shot: "The film's penultimate shot consists of a seven minute long take-tracking shot which begins in Locke's hotel room looking out into a dusty, run-down square, pulls out through the bars in the hotel window into the square, rotates 180 degrees, and finally tracks back into the hotel room."